Thursday, November 17, 2016

HOLIDAY TREASURES

McLean County Art Center



The Holiday Treasures exhibition in the McLean county art center was a great experience. The exhibition included a wide variety of art in a  variety of mediums. I had never been to the art center and it was a lot more incognito than I thought it was going to be. It was hiding in some trees next to a store of some kind. While the the exterior of the building wasn’t that eye catching the art inside definitely caught my eye.

There were works ranging from landscapes all the way to a baby chick looking at an egg, sunny side up, asking, “Are you ok?” This exhibition had such a wide range of artists() that at times I was struggling to find a theme of the show (going in thinking it would have some holiday theme), but I felt it showcased the artists’ work very well. There were a few pieces that I enjoyed a little more than the rest. Pieces like Don’t Count Your Chickens by Desiree Swanson who took a very humorous route in her art as well as a technical route that we see in the reflections of the glass sculptures she painted in her piece Birds of a Feather. There was also a number of pieces by Katie Kaelber Davis on wood panels that I thoroughly enjoyed. 1000 Memories-from the Portal was one of my favorite pieces from the exhibition. She uses many different mediums in the piece creating a tent like structure out of very geometric shapes. I also love the contrast the wood color has with the very bright and vibrant colors she chose to use in the actual image.

Holiday treasures was an interesting experience, while it didn’t influence me as much as other exhibitions I have been to it still showcased some create artwork that I enjoyed looking at.

Tuesday, November 1, 2016

Students of Normal


The Transpace Gallery at Illinois State University in the CVA is always a very simple great environment to view some great student works. It showcased a wide variety of mediums that included sculpture, video, painting, prints, and many more, all created by students at Illinois State. Each piece was created in their own way and you could tell each one was created by a different person with very different mediums and taste. Knowing some of the artists and having been in classes with a few I could really see their style manifest in their work.
Sarah Foote
Nobody Reads Anymore
Mixed media on canvas
Nobody Reads Anymore by Sarah Foote (mixed media on canvas) was a piece that caught my eye right away and after reading the title of the work I quickly came up with some ideas as to what it was trying to be. After a quick google search I found out Sarah seems to have a background in painting and graphic design and as a freshman she, with the help of some other students, made a sculpture of Reggie (Illinois state’s mascot) out of recycled materials, which now sits outside of Vrooman Center on the East side campus. Its interesting that she has a background in painting yet her work, including the piece in this exhibition seems to include a lot of sculpture and grids. I imagine the grid comes from her design background, but she mixes her painting and design very well in this piece by moving around the text from a page in a book to make it almost unreadable. The text also seems to represent caution tape that a police force would put on a doorway to a crime scene. The way it is just sloppily put in a cross shape all across the piece implying that Nobody Reads Anymore. The white “paint” over the text also seems to be censoring the “page”, or implying that people don’t notice, or realize the many things books can do, or how much you can learn from reading a book.
Lyzz Lundberg & Amanda Weygand
Hallway No. 5 : Swallows
Acrylic on archival inkjet print
Hallway No. 5 : Swallows by Lyzz Lundberge & Amanda Weygand (Acrylic on archival inkjet print) is a very bright piece that also caught my eye very quickly due to its bright and high value colors. At first I thought the colors were strips of duct tape placed over the picture with some acrylic mixed in, but the closer I came to the image I realized it was just thicker paint which gave it a little shine. When I look at this piece I see a hallway I walk down everyday. For it to be called “Hallway No. 5” kind of makes me think of it as a maze or one of the many hallways I walk down mindlessly daily. Everyday as a student we walk down all these always, almost unknowingly, as we follow our class schedule each day. I really think this piece is trying to show or represent the fact that as students we can get swallowed up in our schedules, classes, and work that we are kind of just mindlessly walking through hallways endlessly. Hallway No. 1, 2, and 3 on Monday then 4, 5, and 6 on Tuesday and repeat everyday of the week like robots.
Kale Stewart
Untitled
Kilncast glass, concrete
2014
Kale Stewart’s piece of concrete and kilncast glass is a blocky/curved sculpture that reminds me of my childhood yet the edge of adulthood I teeter on now. This piece makes me picture the alphabet blocks that young children or babies play with and stack because of the way each cube is placed on top of each other in this piece. It’s almost exactly like a baby or child would stack blocks. Yet it still makes me think of what a college student is going through: their final years before going out into the actual world and finding a job: no parents, no rules, responsibilities. Each block being right on the edge or the unstable look of the piece makes me think of life after college or life right now right (right before life after college).
Transpace is a great atmosphere to display student art and seems to always display great pieces. The gallery space is always full of great works and different mediums that get me thinking about all kinds of ideas and the people who made them.

Beatrix Reinhardt

Beatrix Reinhardt

"If one wants to, it becomes visible"


Beatrix grew up in Germany and earned her undergraduate at the Freie Universität Berlin and has exhibited her art all over the world. During the lecture Beatrix talked about just a few of her many works like the historic indoor and outdoor spaces, her trip to South Africa to document different battlegrounds, or her documentation of the Kumbh Mela (a mass Hindu pilgrimage).


To begin her lecture she talked briefly about her appreciation for architecture and landscapes. She thinks of it as "a record
First trip to South Africa
of human activity...residue collector..." or that architecture is related to "everydayness". I think by saying this she is trying to point out that buildings are created to accommodate us in our everyday lives and can be standing for hundreds of years or more. A combination of human touch and history can make for some amazing pieces of art that we live in or around in our everyday lives. After developing a growing interest in history of spaces/places she then traveled to South Africa (Kwazulu Natal) to take pictures of the different landscapes of battle grounds. After one unsuccessful trip she thought that nothing was going to come of the project. Until she went back and decided to keep this idea of archiving and keeping a scientific record of each battle in their own piece of work. This again seems to keep the theme of history
Second trip to South Africa
and significance of the battle grounds or just landscape in general. Although it isn’t a building it still has a history and mark on it that will always be there. Which brings me to her next project where she embossed images while in Siberia. Beatrix said that embossing was the best medium to represent Siberia because, “If one wants to, it becomes visible.” Just like the architecture or the battlegrounds in South Africa. Know that she knows the history, if anyone knows the history, it becomes visible to her. She now knows what happened there and changed how she perceives the building/landscape.

Beatrix Reinhardt really interests me because her view of the world. I like to think, to a small degree, that I occasionally think that way as well. I try my best to appreciate the world and all the commodities we take for granted. Her work gives off that vibe and without this lecture I would have never known by just seeing her works.